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The Cosmos Rocks | 
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| Artist: Queen & Paul Rodgers
Label: EMI
Category: Music
List Price: £14.99
Buy New: £5.97
You Save: £9.02 (60%)
New (43) Used (6) from £5.41
Rating:  91 reviews
Sales Rank: 189
Format: Enhanced
Media: Audio CD
Discs: 1
Shipping Weight (lbs): 0.2
Dimensions (in): 5.6 x 5 x 0.5
EAN: 5099923702523
ASIN: B001CZVGBY
Release Date: September 15, 2008
Availability: Usually dispatched within 1-2 business days
Shipping: International shipping available
Condition: Brand New - Factory Sealed - Shipped from Florida via USPS First class mail. We ONLY sell what we have in stock. NO back orders here.Import Edition
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| Tracks:
| • | Cosmos Rockin' | | • | Time To Shine | | • | Still Burnin' | | • | Small | | • | Warboys | | • | We Believe | | • | Call Me | | • | Voodoo | | • | Some Things That Glitter | | • | C-lebrity | | • | Through The Night | | • | Say It's Not True | | • | Surf's Up . . . School's Out! | | • | small reprise |
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| Editorial Reviews:
Amazon.co.uk Review
The idea of Free/Bad Company frontman Paul Rodgers taking the place of Freddie Mercury for a new Queen album is an odd one indeed. Where Mercury was flamboyant and knowing, Rodgers--who toured with Brian May and Roger Taylor in 2005--is way more weighty and grizzled. The resultant album, The Cosmos Rocks, sounds literally like Queen's gregarious musicality has been filtered through the wide-holed sieve of Bad Company's own blues-rock schtick. That said, the soundtrack brims with multi-tracked guitar riffs and foams with layered vocal harmonies, and gets off to a rockin' start with "Cosmos Rockin'", a song that seems to be more a parody of, than a tribute to, one of the UK's most celebrated glam-rock bands. As the record moves through the soaring "Time to Shine", the bluesy "Still Burnin'" and the ballad "Small", it becomes clear that this is an album monumental only in its relative lack of imagination and meaningful lyrical content. It's buoyed sporadically by captivating ditties like "Call Me If You Need My Love" (vaguely reminiscent of "Crazy Little Thing Called Love") and the Freddie tribute "Some Things That Glitter", but these rarities are not quite enough to save The Cosmos Rocks from being an exercise in dire rock cliche. --Danny McKenna
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| Customer Reviews: Read 86 more reviews...
 Not as bad as some say... November 8, 2008
Danny (Hampshire, UK)
I admit to being a great fan of Freddie and the boys, so I was a bit funny about Roger and Brian restarting something called Queen, but on the other hand I am really pleased that they decided to go back to touring.
This isn't "old" Queen in any real sense. Several of the tracks are naff to the point of being criminal (which "old" Queen album doesn't have a couple of those?). Its clear that the creative and writing talent has definitely moved on - Freddie and John wrote nearly all the big Queen hits and it shows. And you feel that Brian's hard rock influence has been watered down a little too much. Given the choice of more of this or a Brian May solo effort, I would probably pick Brian every time.
But after all that, if you take out the crud, this is a listenable and entertaining outing, and will stay on my mp3 player for some time.
 Love this album! November 7, 2008
Alexandra Ciucu
The long awaited Queen + Paul Rodgers studio album has totally surpassed my expectations. It's a high-quality piece of work and I enjoy listening a lot to tracks such as We Believe, Call Me, C-Lebrity or Time To Shine. I recommend it to all Queen fans and Paul Rodgers fans!
 If Queen Can Move on Why Can't the Fans?! November 5, 2008
S. Lornie
This album is classic rock at it's best. Queen and Paul Rodgers let rip on this record doing when rockbands should be doing.
The album is full of great rockin numbers and some nice ballads. The guitar solo's are excellent, vocals are as good as everything Paul releases and the rest of the band sound great.
The only reason you'll hear a bad thing about this album is because Brian and Rodger continue to use the Queen name. I think they should. It was their band that sadly lost a singer so they moved on (thank god). Just a shame their narrow minded fans can't!
Fantastic Album October 30, 2008
Miss Manyprops (UK)
Well, it was a great surprise to me to read any negative reviews, I love this album. It's a fab cd! Listened to it 4 times on the trot when it first arrived and I love it!
Not sure what the hang up is over "the band name" - Freddie is dead, long live Queen (+ Paul Rodgers of course!)
Saw Freddie twice (with the original Queen)and they were AWESOME. But I saw Queen with Paul Rodgers at Sheffield two weeks ago and they were fan-flipping-tastic! Different, obviously, but brilliant and Paul Rodgers was WAY better than I thought he'd be - super stuff!
"Rock 'n' Roll Never Dies" or A Fine Debut by Queen + Paul Rodgers October 24, 2008
Jeffrey Combs (USA)
1 out of 1 found this review helpful
As a longtime Queen fan (of the WHOLE band, not just Freddie) and an admirer of the talents of Paul Rodgers in whatever form, I was so anxious to hear this album that I bought it as an import. After a couple of listens I wrote up my impression of the individual songs, of the album as a whole, and of the band as they release their first studio collaboration. Here are my thoughts -
Cosmos Rockin' - a great rockin' opener, very classic stuff, great hand-clappin', head-bobbin' ,foot-tappin', singin' along fun. I really enjoyed this one. Paul sounds great, the guitar really rips, Roger is really delivering. The call-and-return chorus is fun. Fun lyrics, obviously meant to be fun and with tongue firmly in cheek. I had a big smile on my face the whole track.
Time to Shine - a great opening vocal from Paul, very nice hearing real piano on a Queen-ish track again, as it kind of disappeared in the '80s, usually replaced by synths. I like the urgency and the driving quality of this song, Roger is really great here. Lyrically, I like the spin of optimistic challenge they put on the phrase "its time to shine". I like the karma of the entire record actually. I admire them for putting something positive like this out into the ether. With a few lyrical changes this could almost be a hymn. Quite spiritual, or as much as one could expect from a rock song and without straying into U2 territory.
Still Burnin' - there's a nice groove on this track, some tasty bits of classic May guitar. I love how unpretentious the album is - "rock 'n' roll never dies" is so down-to-brass-tacks. Has a nice solo. These guys clearly have had it in their bellies to make an unapologetic back-to-basics rock record and I like that they didn't try to dress it up too much. There's a rawness to it. The "We Will Rock You" sample is kind of fun. I wasn't expecting that. It works.
Small - I was really taken with how this affected me. I love simple songs that express a simple feeling. The chorus is nice, very direct, communicating something very universal. Rodgers is such an unpretentious vocalist. I really like the solo, lots of emotion in there. This is one of my favorite tracks on the album. Very nice toward the end when the chorus gets big. That was a "Queen moment".
Warboys - I think this is magnificent. I'd heard Rodgers' live solo version of this, and this version just takes it to a whole other level. The acoustic guitar, the drumming and the vocals are so crisp. This was this first "I got chills" moment on the record. That "warboys" chorus with the Queen-esque vocals stacks really lays it out. And Roger is killing it with that percussion. The drums and guitar are so tight. Excellent.
We Believe - I'm really of two minds on this one. It is very Pollyanna-ish but its also very sincere, which I appreciate. And its pretty. There are some nice moments. I like how it builds, and I like the "I believe", "you believe" back and forth in the verses. But lyrically its trying to say too much and with too many words. I think talking about leaders and so forth probably makes it a little too on-the-nose to really resonate enough. It was better when it was about "me" and "you". And no song should ever include a phrase as clumsy as "deed of obligation". But I really can't take much issue with the "peace, reconciliation and forgiveness" spirit behind it. There's probably a better song in there somewhere but it needed a rewrite to tighten it up. Paul's vocal *almost* saves it. He's really gives it his best but if there's a track I'm tempted to skip on the album, this is the one.
Call Me - I was into this. Its kind of a refreshing change after some of the musically heavy and lyrically heavy stuff that it follows. Its simple, fun, easy to sing along to. Reminds me of "Let Your Heart Rule Your Head" from Brian's solo album and a bit of "Who Needs You" from "News of the World". The buzzy guitar is fun and I love the solo. I really think this could have been a track on "A Day at the Races". One of the reasons I have loved Queen for almost 20 years now is the variety, and this is a nice left curve track.
Voodoo - This track has a very Santana-ish quality, which must have been fun for them to work on since I don't think Queen-proper ever did a track like this, this well. This is obviously what something like "My Baby Does Me" from "The Miracle" was aiming for and didn't come close to. Totally Paul's territory and he just glides effortlessly through this. Brian's guitar is nicely understated and plays well against the vocal. The whole track is smooth as silk and is just about perfect for what it is. I don't think they could improve a note on this one.
Some Things That Glitter - Lovely opening with the piano, guitar, and cymbals. I love the symbolism of the butterfly. Very groovy in a laid back, '70s kind of way. Paul's vocal, again, is effortless and lovely. Nice to hear Brian doing those very Queen-esque backing vocals. "My butterfly grew golden wings" and then that lovely bit of trademark May guitar is a great little moment. A nice restrained solo. I could hear Freddie singing this, circa 1976. Probably my favorite track on the album.
C-lebrity - being the single, I have heard this a lot by now and its grown on me quite a bit. I love the lyrics, all trademark Roger Taylor stuff - the humor and the sarcasm. Again, a recurring vibe of this whole record for me is "fun" and this to my ears is a fun track. I like that it's a bit rockier and poppier than some of the other stuff, and thus taking Rodgers out of his comfort zone a bit. A nice to-the-point guitar solo. "I want to be a star in a Broadway musical - they're gonna love me - I can't sing or dance at all", I love that bit. Roger is, again, really killing it on the percussion. And it gets fun and a little sing-songy at the end with that weedly-weedly guitar. Another song I could hear Freddie doing well, say, around 1984 or thereabouts. And I imagine the video would have been hilarious.
Through the Night - Again, the guitar/drums/piano mix here is something I really missed about post-70s Queen. I like the melody here, Paul's very emotive vocal really sells it. I love the little change between the verse and chorus. Very raw emotive solo from Mr. May. "Without your love there's nowhere I can hide", that's a great line. Lovely guitar at the end, another overt "Queen moment".
Say Its Not True - As this song was released as a free download on New Year's Eve, this is the one I've obviously lived with the longest and I really fell in love with this version. Great hearing some lead vocals from Roger and then Brian, then some beautiful harmonising between the two of them before Paul sweeps in toward the middle and just takes it into the stratosphere. His voice really soars and he gives it all the power and emotion its due. I have always had a very emotional reaction to the song and specifically to this version. Its just big and sincere and in your face, and they go way over the top at the end with that huge sweeping guitar, and its really satisfying. Amazing that they were able to take the simple little acoustic song that this track started its life as and turn it into this epic.
Surf's Up ... School's Out! - I loved this one and specifically because its so different from anything else on the record and anything I've ever heard Paul sing. Again, taking Paul out of his comfort zone worked very well for me. Great hearing Roger's vocals. This sounds completely like his track to me. I like the way the verses and the chorus contrast so much and that there's some different dynamics in the song. I love tempo changes in songs and songs that kind of go off in two or three different directions. I like the bridge with the twinkling synths in the middle, and then its some crunchy guitar and driving drums to take it home. It's a bit of a curveball and it just works for me. If anything I wish they had mixed it up just a tad more on the whole album.
Small reprise - a pretty way to end the record. I find it perfectly hummable.
So I liked it quite a bit. It's a 4 of 5 or 8 of 10 record for me. I wasn't blown away but, in fairness, I also wasn't blown away by "Jazz", "The Game", "Hot Space", "The Works", "A Kind of Magic" or "The Miracle" - all good albums to varying degrees, but none were mindblowing. This album is three flavors I like mixing it up very well and doing what they do. A nice variety of songs, and if anything, I wish there had been even more. I like that it was a pretty raw, straight forward record without a lot of gloss on it. Its very genuine in that way and I respond to that. And, in the Queen tradition, I like that its not taking itself *too* seriously, that they gave themselves the freedom to just have fun, make fun music, and just sort of be lads playing music together. On the flip side, I like that there's a lot of genuine, unadorned emotion - some hope, some sadness, some loss, some ambition. It's a rounded record, if you know what I mean. And it has a very organic, "all came out of the same pot" kind of feeling to it, which contrasts rather sharply, to my ears at least, with most of the Queen-proper studio albums starting with "The Game", all of which sound to me like 3 or 4 great singles surrounded by some very pleasant but mostly inconsequential filler, written by 4 seperate songwriters working more or less alone. Conversely, I do wish this album had had a couple of poppier tracks. Queen became as much a pop band as a rock band in the '80s and '90s, and my ears have become somewhat attuned to that.
I absolutely think that this trio is, in every way, a new band. Being the vocalist, Paul's influence is very strong, but having heard a lot of Paul's solo work from the last 15 years, Brian and Roger's influence on Paul is crystal clear. It's a much more defined and shaped album than Paul's solo stuff, a much broader variety of sounds, and of course the elements of the classic Queen sound are easily and frequently identifiable. And I think Paul allowed Brian and Roger to be unburdened from the shackle of having to have a specific "Queen sound" that refers to something that stopped developing organically 17 years ago. I imagine that "sound" is simultaneously something they want to perpetuate since they helped create it and also something that has to feel limiting and confining at times too. "Can we do this? Does this sound 'Queen' enough?" I don't really feel that tension in this record. I'm not sitting here saying to myself "ok, this reminded me of Queen album _______ " because this just feels like a very different animal. Too many things have changed and too much time has passed to make that kind of comparison. Not a new chapter in a book so much as a new book. It just feels like a new creative entity, and rather like a second marriage. Both people bring their baggage, good and bad, from their prior marriages, and those elements blend into something that's new and old at the same time.
After listening to "The Cosmos Rocks", I hope they make another album together as Queen + Paul Rodgers. They've made themselves a very interesting beginning, and I would really like to hear how they develop as a writing unit and as a band.
The Queen is dead; long live the Queen.
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